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🛶 2025-12-03 What is the Morote-bune ritual at Miho Shrine, the setting of the myth of the transfer of the country? Uncovering the mysteries of tradition

EYE-2025-12-03-ENG Thanks for breakfast
EYE-2025-12-03-ENG
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If you like, please repeat it out loud in Japanese.

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2025(ねん)12(がつ)3()
December 3, 2025.

島根(しまね)(おこな)われる、素晴(すば)らしい神事(しんじ)についてお(つた)えします。
We’d like to tell you about a wonderful religious ritual taking place in Shimane.

これはただの(まつ)りではありません。
This is no ordinary festival.

島根県(しまねけん)美保(みほ)神社(じんじゃ)で、「国譲(くにゆず)神話(しんわ)」を実際(じっさい)再現(さいげん)した神事(しんじ)(おこな)われています。
At Miho Shrine in Shimane Prefecture, a religious ritual is being held that actually re-enacts the “Land Transfer Myth.”

神様(かみさま)国土(こくど)()()がれるのです。
The land of the gods is being passed on.

神話(しんわ)が「実際(じっさい)儀式(ぎしき)」として保存(ほぞん)され、しかも船上(せんじょう)(おこな)われるのは、日本(にほん)でも非常(ひじょう)(めずら)しいと()われています。
It is said to be extremely rare, even in Japan, for a myth to be preserved as an “actual ceremony,” and for it to be performed on a boat.

舞台(ぶたい)美保(みほ)(わん)
The setting is Miho Bay.

諸手(もろて)(ぶね)」と()ばれる特別(とくべつ)(ふね)出航(しゅっこう)し、(くに)(ゆず)りの物語(ものがたり)再現(さいげん)します。
A special boat called a “Morote-bune” sets sail and re-enacts the story of the Land Transfer.

(ふね)()れ、(なみ)(おと)、そして神職(しんしょく)たちの所作(しょさ)
The rocking of the boat, the sound of the waves, and the gestures of the priests.

まるで(べつ)時代(じだい)にタイムスリップしたかのような感覚(かんかく)(おそ)われるでしょう。
You’ll feel as if you’ve traveled back in time to another era.

本当(ほんとう)神話(しんわ)があったの?」
“Was there really a myth?”

()(まえ)体験(たいけん)する神話(しんわ)(とお)して、どんな疑問(ぎもん)()()ぶでしょう。
All of your doubts will be blown away as you experience the myth before your eyes.

まさに日本(にほん)のスピリチュアルライブパフォーマンスです。
It’s truly a live Japanese spiritual performance.

さらに(おどろ)くべきは、この神事(しんじ)神代(かみよ)から(つづ)くと()われているということです。
Even more amazing is that this ritual is said to have been carried out since the Age of the Gods.

所作(しょさ)衣装(いしょう)(ふね)
The gestures, costumes, and boat…

どれも意味(いみ)()められているそうです。
All of them are said to be imbued with meaning.

写真(しゃしん)()るなら、(ふね)(うみ)出航(しゅっこう)する瞬間(しゅんかん)と、(おだ)やかに()()神官(しんかん)たちの表情(ひょうじょう)写真(しゃしん)(おさ)めましょう。
If you’re taking photos, try to capture the moment the ship sets sail out to sea and the expressions of the priests calmly facing each other.

この(ふた)つの瞬間(しゅんかん)が、最高(さいこう)一枚(いちまい)となるでしょう。
These two moments will surely make for some of the best photographs you can take.

(くに)(ゆず)りの神話(しんわ)は、(あらそ)いではなく「(ゆず)ることで未来(みらい)()(ひら)く」というものです。
The myth of the transfer of the country is about opening up the future through giving, not through conflict.

このメッセージは、現代(げんだい)()きる(わたし)たちにも(ひび)きます。
This message resonates with us today as well.

(はたけ)大根(だいこん)は、そろそろ(みの)りが()します。
The radishes in my fields will soon be ripe.

朝食(ちょうしょく)味噌汁(みそしる)(つく)るなら、(きざ)んだ大根(だいこん)()(くわ)えると(かお)りが()します。
If you’re making miso soup for breakfast, adding chopped radish leaves will enhance the aroma.

神話(しんわ)のように、知恵(ちえ)伝承(でんしょう)大切(たいせつ)です。
Just like in the myth, passing on wisdom is important.

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🛶 Miho Shrine’s Morotabune Shinto Ritual: The Legend of the Land Transfer

1. Overview and Role of the Morotabune Shinjin (Ritual)

  • Date: Held annually on December 3rd (a fixed date).
  • Ritual Content: This ceremony is a theatrical, ritualistic reenactment of a scene from the “Kuniyuzuri Shinwa” (The Myth of the Transfer of the Land), as recorded in Japan’s oldest chronicles, the Kojiki and Nihon Shoki.
  • Connection to the Myth:
    • The myth tells the story of emissaries sent by the Sun Goddess Amaterasu Ōmikami (e.g., Takemikazuchi-no-kami) to Izumo to negotiate the peaceful transfer of the land, which was ruled by Ōkuninushi-no-kami.
    • The Morotabune Shinjin specifically recreates the moment when the Miho Shrine’s main deity, Kotoshironushi-no-kami, advises his father, Ōkuninushi-no-kami, that the land should be ceded. He demonstrates his peaceful agreement by boarding a boat and setting out to sea, symbolizing his stepping down.
  • Features of the “Morotabune” (Ceremonial Boat):
    • The specialized boats used for the ritual are unlike ordinary fishing vessels.
    • The bow is decorated with a “Chigi” (crossed timbers) and the hull is adorned with Imitake (sacred bamboo poles) to welcome the divine messengers.
    • The boatmen wear special costumes called Aofushigaki (green brushwood fence garments). Two boats circle Miho Bay in a solemn procession.

2. Miho Shrine: A Stage for the Kuniyuzuri Myth

  • Enshrined Deities: The main deity is Kotoshironushi-no-kami (popularly known as Ebisu-sama, the god of fishing and commerce) and his mother, Mihotsuhime-no-mikoto.
  • Mythological Location: Miho Shrine is located in Miho-no-seki, Matsue City, Shimane Prefecture, a crucial location in the Izumo Kuniyuzuri Myth. It is said to be the place where Kotoshironushi-no-kami signaled his agreement to the transfer by hiding himself behind an “Aofushigaki” (green brushwood fence/fishing enclosure).
  • “Ryōmairi” (Dual Pilgrimage): The custom of visiting Izumo Taisha (enshrining Ōkuninushi-no-kami, the party negotiated with) and Miho Shrine (enshrining Kotoshironushi-no-kami, the key decision-maker) as a set is believed to bring greater blessings.

3. Cultural and Academic Value

  • Important Intangible Folk Cultural Property: The Morotabune Shinjin is designated as a National Important Intangible Folk Cultural Property of Japan, recognized for preserving ancient ritual forms and mythology in a remarkably authentic state.
  • Rarity of the Sea Ritual: As noted, this ritual is exceedingly rare in Japan because the mythological scene is reenacted not within the shrine buildings, but upon the sea in boats, with the vessels and actions preserving very ancient ceremonial styles.

Deeper Dive: Miho Shrine and the Myth’s Meaning

1. The Main Deity and His Role in the Myth

The primary deity of Miho Shrine is Kotoshironushi-no-kami, the son of Ōkuninushi-no-kami, the ruler of the land (Ashihara no Nakatsukuni).

Kotoshironushi-no-kami’s Decisive Role:

  • The Negotiation: Heavenly messengers (Amatsukami) arrived in Izumo to persuade Ōkuninushi-no-kami to surrender his control over the land to the Heavenly Grandson (Tenson).
  • The Counsel: Ōkuninushi asked his sons for their opinions. Kotoshironushi-no-kami, who was fishing (or hunting) in the Miho area at the time, was sought out.
  • The Peaceful Solution: When the emissaries questioned him, he replied, “This land should indeed be yielded to the Heavenly God’s child,” thus granting his consent to the transfer.
  • Origin of the Ritual: To symbolize his total and peaceful surrender of authority, Kotoshironushi-no-kami pushed his boat out to sea and concealed himself behind a self-made Aofushigaki (green brushwood fence). This act marked the definitive, non-violent conclusion of the land transfer.

2. The Mythological Significance of Miho

Miho-no-seki, where Miho Shrine stands, is the deeply symbolic location where Kotoshironushi-no-kami made his crucial decision.

  • Symbol of Ceding Power: The myth is not one of battle, but of peaceful consensus and succession. Kotoshironushi’s action of sailing out and hiding himself embodies the myth’s core message: “Avoid conflict, and secure the future through yielding.”
  • Ritual Manifestation: The Morotabune Shinjin on December 3rd is the living recreation of the deity’s acceptance and his subsequent sailing away.

3. The Custom of “Ryōmairi” (Dual Pilgrimage)

Due to their roles in the myth, Izumo Taisha (enshrining Ōkuninushi) and Miho Shrine (enshrining Kotoshironushi) have had a close relationship since ancient times. The custom of performing a Ryōmairi (Dual Pilgrimage) to both shrines is unique to the Izumo region, demonstrating how the narrative of the Kuniyuzuri Myth continues to shape local faith today.

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